I designed these LUTs to help me achieve proper exposure while I’m filming and grading while continuing to maintain a pleasing picture. My primary tests when creating the LUTs were with my Sony PXW-FS5 mk1. If you want the best results, I suggest grading beyond the simple application of the LUT.Įach LUT in this pack was created specifically for the Sony S-log2 color profile. ![]() These LUTs simply serve as a base or starting point for your grade. I should also note that these LUTs are not a”fix all” for your footage. Your own results may vary depending on your camera make and model of Sony camera. These are simply the LUTs I’ve personally used and perfected over the years. This is why I have created this series of LUTs.īefore I go any further, I should note that I didn’t create these LUTs with the intent to sell them. And herein lies the problem with Sony’s rec709 LUT. You can combat this by using your histogram and exposing to the right, however if you expose to the right while using Sony’s rec709 LUT, you will likely have a blown out image. ![]() Assist” to help you measure your exposure while out in the field. ![]() I’ve found this especially common for people who are trying to use Sony’s rec709 LUT or Sony’s “Disp. Most people know that if you underexpose your camera, you will likely have unwanted noise in your image. ![]() I have found it can be tricky getting proper exposure shooting in S-log2 on Sony cameras.
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